‘A Doll’s House’: Best of 19th century literary on stage at BAM
The women’s suffrage and civil rights movements were still decades in the future when Henrik Ibsen introduced his play, “A Doll’s House,” in Copenhagen. But despite the passage of 135 years since then, it hasn’t lost any of its freshness, and touches upon some very basic human themes that today’s audiences won’t have trouble connecting with.
The Brooklyn Academy of Music (BAM) has been hosting a production of “A Doll’s House,” put on by the London-based Young Vic theater company, and if you haven’t had the chance to see it, you’re in luck: the run has recently been extended to March 23 (for tickets, visit bam.org or call 718.636.4100).
In the lead role as Nora Helmer, Hattie Morahan was both cheerful and mischievous, making good use of a sort of singsong vocal comedy that called to mind old episodes of “Are You Being Served” and “Fawlty Towers.” It worked and it worked well, with her inflections carving out little toeholds in the minds of audience members where the more pleasant snippets of the aggregating schemes with which she continually beset her husband could find purchase as the story crescendoed. Morahan was equally convincing in serious scenes, stoking her character’s anger and frustration to a level that could have put an action film aficionado on the edge of his seat.