Despite controversy, ‘Marvelous’ Heights architect leads transformative projects
Like an albatross, controversy seems to drape itself over some of the biggest Brooklyn projects of architect Jonathan Marvel. But in each project, it is not Marvel who killed the mythic sea bird and must wear it draped over his shoulders, but the nature of the projects, which involve complex interplay of public and private interests. Yet his brilliant innovations and sensitivity to environments do indeed transform each project. The albatross is, in effect, brought back to life, and the curse is lifted.
The nearly complete St. Ann’s Warehouse theatre is one good example. At issue early on was a turf-war over the empty shell of a 19th century tobacco warehouse just a stone’s toss north of Brooklyn Bridge tower.
On one side were preservationists who wanted the warehouse shell kept intact, versus Brooklyn Bridge Park leadership who wanted the space developed for broader public usage, particularly for the popular St. Ann’s Warehouse Theatre.