Tenor Ricardo Tamura triumphs in Tosca at Met debut
Ricardo Tamura, born in Sao Paolo, Brazil, of Japanese and Syrian parentage, had his career as a scientist all set up for him except for the fact that he also loved to sing. Licia Albanese heard him sing several years ago and was so impressed by his remarkable tenor that she took him under her wing. Thanks to the Licia Albanese-Puccini Foundation and the Gerda Lissner Foundation, his career took off like the rocket he might have engineered as a scientist. Tamura has had a successful career in Europe, especially in Germany and at the outdoor Arena di Verona in Italy. His singing of our National Anthem, “Nessun Dorma” from Turandot and “Vesti La Giubba” from Pagliacci were the highlights of the Albanese-Puccini concerts here.
Thanks to Stephen De Maio, president of the Gerda Lissner Foundation and artistic director of the Licia Albanese-Puccini Foundation, a group of us attended Tamura’s debut at the Metropolitan Opera on Tuesday, Dec. 17, as Mario Cavaradossi in Puccini’s thriller Tosca on a cold snowy evening. Since this new production from only four years ago has elicited both praise and desultory comments, I chose to accentuate the positive and comment only on the performers.
The premiere of Tosca was in the Teatro Costanzi in Rome, Italy in 1900. On March 4, 1913, Tosca was performed at the Brooklyn Academy of Music (BAM) with Arturo Toscanini conducting and the great Enrico Caruso as Cavaradossi, Olive Fremstad as Tosca and Antonio Scotti as the evil Scarpia. The Met made BAM part of its national tour until 1937.